[a] Cool New Way

This is not a review of Mr. Satriani's tune going by the same title, but the sharing of a funny new find of my own: it's on the intricately delicate film-choosing matter.
So now that the Disclaimer's all set, here's the how: I've now chosen whether or not to see a particular film based on the said film's soundtrack. Possibly a funny way to do it and perhaps not the most reasonable but definitely new and how about cool?!
I've made the decision after Watchmen's impressive [sound] record, and that led me to seeing.. Bronson. And, well, did I like Bronson!

Bronson is based on the life of Charles Bronson—not the (popular) movie star, but the famous English inmate, who took the actor’s moniker as his nom de combat: he’s the most violent prisoner in Britain, who has spent decades behind bars thanks to the years added to his sentences for his bloody outbursts. Bronson, in a manic performance by Tom Hardy that exudes a Jack Napier-level of playful insanity, narrates the film from a dark stage, often in costume, chronicling his childhood and young manhood—marked by robbery and disproportionate violence—through his stays in various jails, psych wards, and disco-era England. [...]
The director posits violence as art, as performance, as a talent, as a calling, as a cause for fame; think of [...] the brutishness placed back into the real world, which asks the audience to confront the cultural fetishization of barbarity. That is, Refn avoids the pitfall of adapting a real life story—getting mired in conforming the complexities of a life into the blueprint of a familiar narrative—by artfully addressing a larger, compelling theme. [...]

Highly recommended, imho. Above review may be fully read on the Cinepinion blog. And this is just this saga's start.